Soviet Posters: The Sergo Grigorian Collection, by Maria Lafont. Prestel Publishing, 2007. Paperback, 285 pages. English.

"Grigorian's Collection offers a rare glimpse into a lost world." Sunday Herald, May 2007. "Totalitarianism never looked so good." Gay Times, June 2007. "These posters look completely at odds with most current graphic design, and it's this that makes them so refreshing to look at. There's nothing subtle about them ... but it's their directness that makes them so charming." Grafik, July 2007. " ... this compact monograph ... contains plenty to admire." Wallpaper*, August 2007.

Film Posters of the Russian Avant-Garde, by Susan Pack. Taschen; Original edition. 1995. Hardcover, 320 pages. English.

Russian film posters of the 1920s and 1930s bear witness to the artistic creativity of the former Soviet Union in the years before Soviet Realism became the official art doctrine under Stalin. This book represents a survey of these works (Amazon editorial review).

Soviet Constructivist Posters, by Elena Barhatova. Kontakt-Kultura; 1st edition, 2005. Hardcover, 239 pages. English, Russian.

Scientists Edition History of Soviet Constructivist Posters in one book. English and Russian Languages More Than 200 Posters. (Amazon editorial review).

Iconography of Power: Soviet Political Posters under Lenin and Stalin (Studies on the History of Society and Culture, 27) by Victoria E. Bonnell. University of California Press; 1 edition, 1999. Paperback, 385 pages. English.

"This book reveals a great deal about Soviet culture and should become essential reading for all those interested in the history of Russian politics, society, culture, and art." (Christina Lodder, "Slavic Review")

Defining Russian Graphic Arts: From Diaghilev to Stalin, 1898-1934, by Alla Rosenfeld (Editor). Rutgers University Press; illustrated edition edition, 1999. Hardcover, 240 pages. English.

Defining Russian Graphic Arts explores the energy and innovation of Russian graphic arts during the period which began with the explosion of artistic creativity initiated by Serge Diaghilev at the end of the nineteenth century and which ended in the mid-1930s with Stalin's devastating control over the arts. This beautifully illustrated book represents the development of Russian graphic arts as a continuum during these forty years, and places Suprematism and Constructivism in the context of the other major, but lesser-known, manifestations of early twentieth-century Russian art. About 100 works borrowed from the National Library of Russia and the Research Museum of the Academy of Fine Arts in St. Petersburg, Russia-many seen here for the first time outside of Russia-are featured in this book. Additional works have been drawn from the Zimmerli Art Museum, The New York Public Library, and from other public and private collections. Together they provide a rare opportunity to view and learn about a wide variety of artists, from the acclaimed to the lesser known. (Amazon editorial review).

Сердцем слушая революцию... Искусство первых лет Октября. Твердый переплет. Издательство: Аврора. (Listening to the Revolution With the Heart... Art in the First Years After October. Hardcover. Publishing: Aurora.)

The Mass and Agit Art treasure box.

Posters, paintings, journals, illustration, architecture, festive decoration, and what not - by all the great names in Russian Avant-garde at the most turbulent and exciting time for them.